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That said, it costs $400 more than the FZ2500, which is nothing to sneeze at. It's battery life is also considerably better. The RX10 III does have a longer, faster lens and the ability to shoot at very fast frame rates, but it also costs a lot more. In most respects, the FZ2500 comes out on top - and that's without including the myriad of video features that just don't fit in the table. Speaking of specs, let's take a look at how the FZ2500 compares to its predecessor as well as Sony's Cyber-shot DSC-RX10 III, which we consider its closest competitor. Compared to Panasonic DMC-FZ1000 and Sony DSC-RX10 III The Sony has many features in common with the FZ2500, such as 4K capture, zebra pattern and a flat picture profile (S-Log2), but boasts a longer, faster lens and high speed recording at up to 960 fps. In essence, the FZ2500 is the little brother to the DMC-GH4 ILC, which is one of the most capable video capture cameras on the market.Īt this point in time, the only other fixed-lens cameras that truly competes with the FZ2500 is the Sony Cyber-shot RX10 III. It shoots both Cinema and UHD 4K, can output 4:2:2 10-bit video over its HDMI port, supports V-Log L recording (for an extra $99) and much, much more. While offering several new stills-related features (such as focus stacking), the FZ2500 is really all about video. It retains the same sensor as the excellent FZ1000 that came before it, while gaining a totally new lens, larger EVF, easy-to-adjust ND filter and even more customizable buttons. At Photokina 2016, Panasonic released its high-end 1"-type superzoom, known as the DMC-FZ2500 (FZ2000 in some regions).